Mississippi Pizza Review

Wesley wears her long blond hair loose, accented by bright cherry-red-framed glasses, a baby doll red shirt over jeans and red-toed shoes. Her first number is a “sad song”—a small dancer pulled from the stage by a parent seems to punctuate that announcement with tears of frustration. Wesley’s banter with the audience gives a sense of her playfulness and humor as fellow songstress Crystin Byrd joins her for a duet: their voices blend nicely. Wesley’s vocals are sweet, slightly overshadowed by the crowd, the small-room acoustics, and, quite possibly, feedback from the mic. She has moments of pure passion as she sings “I just can’t seem to leave you”; her sense of humor is evident as she connects with the audience again to admit she’s about to play a new song, in fact “just wrote this last week,” and that she may have committed a faux pas by using her own name in the song. But what the heck, she wrote it. Another line sticks out to locals as being pure Portland: “Torched your bridges in a town of rivers.” Wesley’s guitar accompaniment is skillful and harmonic, but the real fun comes at the end of her set: Wesley, perching her bright pink (vintage Barbie???) keyboard on a chair, kneels before it and hammers out a punky little tune -- keyboard and tambourine players join in -- to sing the Blah Blah song. "You know the chorus 'Blah, Blah, Blah…'" The small dancer joined her once again to finish out the set.

Ellen Lodine
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